I combined five clips into a 2.5-minute video shot at 60 frames per second and rendered the projects to MPEG 4 at 720p. Its 64-bit Intel Core i5-5200U processor runs at 2.2 GHz on an HD Graphics 5500 system with 8GB of RAM. I tested PowerDirector on an HP Spectre x360 laptop running Windows 10 Home. As with the image stabilizer, you can accomplish this effect entirely with sliders that let you preview the effect in real time.Īudio Ducking automatically marks frames where people are speaking and lets you adjust background music to hear dialog more clearly. The Ease In/Out option calms jerky video. You can adjust the X, Y and Z rotation to change the video's viewing angle and set key frames with a Fly In/Out feature that customizes the animated effect.
PowerDirector's View Designer now supports the cool, hugely popular Little Planet projection mode, which makes it look like the subjects in your video are standing on a very small globe. While this depends on the video you use and the object you are tracking, sometimes it was hard to visualize the final product until I actually viewed it in the timeline.
In the preview, the positioning is an approximation, and the previews sometimes looked odd as three objects moved through the video. A new object-tracking feature can follow objects or people in a 360-degree video and center them when converting to 16:9 2D video. The View Designer lets you incorporate 360-degree footage into standard 2D videos. You can even split the preview right in the window to compare the before and after motion, which allows plenty of tweaking for the best results. You don't need a pilot's license, just an alert set of eyes as you move the slider back and forth to fix your wobbly footage. Under the program's Fix/Enhance menu live a variety of adjustments, including the slider-based stabilizer tool, which offers up to 120 levels of strength. MORE: Best Video-Editing Software Under $100 To that end, version 16 debuts a new algorithm that targets and corrects rotational and translational camera motion, providing even more complete 360-degree editing capabilities. Nothing induces a migraine faster than shaky VR footage right up against your eyeballs. But when it comes to stereoscopic video shot for VR headsets, the problem is amplified with motion - people biking, running, dancing, kite surfing and generally horsing around. Video stabilization has long been critical for moviemaking, even for standard 2D output, because most nonprofessional, handheld footage is shaky.
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